Sunday, November 7, 2010
Thursday, November 4, 2010
Interview with Shellton LaBron Tremble
What was your first experience with art?
I believe it was a painting my mother painted of some horses on canvas. I thought to myself, how wonderful to create something new. She showed me some pencil drawings my older brother drew...I then asked why can't I draw, she said how do you know until you try. I was 8 years old when I think my interest blossomed.
What is your favorite medium & why?
My favorite medium is acrylic, but not exclusively. I like the fast drying nature and texture qualities I can achieve. Acrylic is vivid and versatile.
What style are you most drawn to? Does it ever change & if so, why?
I love conceptual and surrealistic motifs. But, I like all forms of visual expression. I tend to change by different inspirations. I also feel that a true artist is much like Leonardo Da Vinci or Michelangelo...able to display a unique touch, but also display mastery of many mediums.
Have you always been an artist or is this a career change?
No, not exactly. I have always explored art and have a deep love for the creative process, but I began to take it seriously when I realized that I had an in depth passion for art. It would be a tremendous accomplish to make a living while living your utmost desire!
Have you ever taken classes/courses?
I took a few art courses in college...a few short of a minor, but still consider myself self-taught, since I believe creativity is something no can teach. We can only convey techniques and processes, ingenuity and innovation comes from within.
What do you want your art to accomplish or describe?
My theme is power, passion, and perpetuity. I want my art to inspire, provoke, and awaken the following energy of the cosmos in our hearts. I want my art to portray a since of wonder, edginess, and imagery.
Art programs are being cut all over the nation in schools - what's your opinion on this?
I believe it is a detriment to the innovative nature of our children. Art is a form of expression and helps promote the process of ingenuity of young minds. Art is everywhere and is inclusive in all aspects of life...design, architecture, fashion, and decor. To exclude art from academia is to short-circuit the wholeness of educational development.
Where is your favorite place to create?
Anywhere and anytime...you never know when a spark of inventiveness will strike!
Which comes first - the inspiration or the medium?
Of course 'inspiration'! More than often than not we don't always have the mediums or time to create exactly at that moment, therefore I write down ideas or do thumbnail sketches.
How has your work changed over time?
My work has gotten more fluid and experimental. My work is more detailed and textured. My concepts and techniques continue to sharpen, to which I believe happens when we absorb art and surround ourselves by other creative artisans.
If somebody was standing in front of one of your works, is there anything you'd want to tell them?
Can't you feel the energy...does the work take you to the inner universe of the psyche...does the work make you want to live!
Do you have a favorite piece you've done?
I can not choose...it would be like trying to determine which twin child is better! But, as far as motifs, I would say music items, since they blend two forms of artistic expression.
Can you draw a perfect circle freehand?
Interesting. Perfection is something we should always try to attain, but I believe I can in the 90 percentile.
I believe it was a painting my mother painted of some horses on canvas. I thought to myself, how wonderful to create something new. She showed me some pencil drawings my older brother drew...I then asked why can't I draw, she said how do you know until you try. I was 8 years old when I think my interest blossomed.
What is your favorite medium & why?
My favorite medium is acrylic, but not exclusively. I like the fast drying nature and texture qualities I can achieve. Acrylic is vivid and versatile.
What style are you most drawn to? Does it ever change & if so, why?
I love conceptual and surrealistic motifs. But, I like all forms of visual expression. I tend to change by different inspirations. I also feel that a true artist is much like Leonardo Da Vinci or Michelangelo...able to display a unique touch, but also display mastery of many mediums.
Have you always been an artist or is this a career change?
No, not exactly. I have always explored art and have a deep love for the creative process, but I began to take it seriously when I realized that I had an in depth passion for art. It would be a tremendous accomplish to make a living while living your utmost desire!
Have you ever taken classes/courses?
I took a few art courses in college...a few short of a minor, but still consider myself self-taught, since I believe creativity is something no can teach. We can only convey techniques and processes, ingenuity and innovation comes from within.
What do you want your art to accomplish or describe?
My theme is power, passion, and perpetuity. I want my art to inspire, provoke, and awaken the following energy of the cosmos in our hearts. I want my art to portray a since of wonder, edginess, and imagery.
Art programs are being cut all over the nation in schools - what's your opinion on this?
I believe it is a detriment to the innovative nature of our children. Art is a form of expression and helps promote the process of ingenuity of young minds. Art is everywhere and is inclusive in all aspects of life...design, architecture, fashion, and decor. To exclude art from academia is to short-circuit the wholeness of educational development.
Where is your favorite place to create?
Anywhere and anytime...you never know when a spark of inventiveness will strike!
Which comes first - the inspiration or the medium?
Of course 'inspiration'! More than often than not we don't always have the mediums or time to create exactly at that moment, therefore I write down ideas or do thumbnail sketches.
How has your work changed over time?
My work has gotten more fluid and experimental. My work is more detailed and textured. My concepts and techniques continue to sharpen, to which I believe happens when we absorb art and surround ourselves by other creative artisans.
If somebody was standing in front of one of your works, is there anything you'd want to tell them?
Can't you feel the energy...does the work take you to the inner universe of the psyche...does the work make you want to live!
Do you have a favorite piece you've done?
I can not choose...it would be like trying to determine which twin child is better! But, as far as motifs, I would say music items, since they blend two forms of artistic expression.
Can you draw a perfect circle freehand?
Interesting. Perfection is something we should always try to attain, but I believe I can in the 90 percentile.
Thursday, October 7, 2010
Tuesday, August 3, 2010
Interview with photographer David Foster
What was your first experience with art?
In my early years in school, I discovered no natural ability to draw or paint, which seemed to eliminate 'artist' from my menu of paths to pursue. Though I have been involved in photography in varying degrees for the past 40 years, it has only been in the past few years that I have come to see myself as an artist.
What is your favorite medium & why?
I am a photographer, now using digital exclusively. While I enjoyed the experience of 'wet' photography and working in the darkroom, I enjoy both the practical and artistic opportunities that the digital process affords.
Have you always been an artist or is this a career change?
Most of my career was spent working in the non-profit and higher education sectors. Since 2006, I have been shifting more of my time and energy into my artistic endeavors, which are now my primary focus.
Have you ever taken classes/courses?
I have had no formal art or photography training. I have taken several workshops and seminars, and read a fair amount, absorbing insights and technical skills from other photographers along the way. I have learned mostly from experimentation and exploration.
Do you have a muse or a favorite subject to portray?
My personal and artistic passions are primarily fueled by direct experience of beautiful and magical things to be found in nature. Sometimes this they're found in my front yard, sometimes half way around the world, but I am looking for something to amaze me. Sometimes it's a small as a dewdrop in the early morning light, sometimes as grand as a mountain range or a towering waterfall. Wherever I am, I try to keep myself open to being drawn to a new discovery. Whenever it happens, I experience it as a gift.
What do you want your art to accomplish or describe?
I hope that in connecting with the images, people will experience feelings of wonder, curiosity, joy, and leavening - along with an impulse go out and explore more for themselves.
Art programs are being cut all over the nation in schools - what's your opinion on this?
Not all school art programs are created equal. I fear that some today are not much better than the ones I experienced, which may do as much harm as good in encouraging artistic creativity in children. However, I have seen many wonderful art programs in schools as well; ones that both inspire creativity and nurture skills. When these programs are cut, the learning and well being of our children are hurt and our communities are diminished.
Where is your favorite place to create?
I find myself most often drawn to places in nature with water of one sort or another: fields covered in dew, mountains with streams and waterfalls, ocean shorelines….. I consistently experience something magical in these places that finds expression in my images.
If somebody was standing in front of one of your works, is there anything you'd want to tell them?
Two things: first, pause for a moment and allow yourself to be drawn into the image, both as a whole and in all its detail; second, though some images may seem to be manipulated, I use only the minimum amount of Photoshop needed to have the print reflect the image I experienced in the viewfinder with no artificial ingredients added.
Do you have a favorite piece you've done?
At the risk of a cliché, it's like asking which is my favorite child.
Can you draw a perfect circle freehand?
Not even close.
In my early years in school, I discovered no natural ability to draw or paint, which seemed to eliminate 'artist' from my menu of paths to pursue. Though I have been involved in photography in varying degrees for the past 40 years, it has only been in the past few years that I have come to see myself as an artist.
What is your favorite medium & why?
I am a photographer, now using digital exclusively. While I enjoyed the experience of 'wet' photography and working in the darkroom, I enjoy both the practical and artistic opportunities that the digital process affords.
Have you always been an artist or is this a career change?
Most of my career was spent working in the non-profit and higher education sectors. Since 2006, I have been shifting more of my time and energy into my artistic endeavors, which are now my primary focus.
Have you ever taken classes/courses?
I have had no formal art or photography training. I have taken several workshops and seminars, and read a fair amount, absorbing insights and technical skills from other photographers along the way. I have learned mostly from experimentation and exploration.
Do you have a muse or a favorite subject to portray?
My personal and artistic passions are primarily fueled by direct experience of beautiful and magical things to be found in nature. Sometimes this they're found in my front yard, sometimes half way around the world, but I am looking for something to amaze me. Sometimes it's a small as a dewdrop in the early morning light, sometimes as grand as a mountain range or a towering waterfall. Wherever I am, I try to keep myself open to being drawn to a new discovery. Whenever it happens, I experience it as a gift.
What do you want your art to accomplish or describe?
I hope that in connecting with the images, people will experience feelings of wonder, curiosity, joy, and leavening - along with an impulse go out and explore more for themselves.
Art programs are being cut all over the nation in schools - what's your opinion on this?
Not all school art programs are created equal. I fear that some today are not much better than the ones I experienced, which may do as much harm as good in encouraging artistic creativity in children. However, I have seen many wonderful art programs in schools as well; ones that both inspire creativity and nurture skills. When these programs are cut, the learning and well being of our children are hurt and our communities are diminished.
Where is your favorite place to create?
I find myself most often drawn to places in nature with water of one sort or another: fields covered in dew, mountains with streams and waterfalls, ocean shorelines….. I consistently experience something magical in these places that finds expression in my images.
If somebody was standing in front of one of your works, is there anything you'd want to tell them?
Two things: first, pause for a moment and allow yourself to be drawn into the image, both as a whole and in all its detail; second, though some images may seem to be manipulated, I use only the minimum amount of Photoshop needed to have the print reflect the image I experienced in the viewfinder with no artificial ingredients added.
Do you have a favorite piece you've done?
At the risk of a cliché, it's like asking which is my favorite child.
Can you draw a perfect circle freehand?
Not even close.
Saturday, July 31, 2010
Wednesday, July 14, 2010
Interview with artist Romy Aura Maloon
What is your favorite medium & why?
I love to work with ceramics. I love how the material is so temperamental; how the colors, texture, even shape changes in the kiln. I am usually controlling and planned with my work; the kiln offers me a level of freedom that I would not have other wise. It leaves room for chance; which is where the most interesting work usually comes from. It’s my medium of choice. I have not had access to kiln for a while so I have been experimenting with different things. Expanding foam, plastics, craft materials like glitter and rhinestones. I like to collect things and slowly pull them together into sculptures. I am working currently as a catering coordinator, so the garish aesthetic of centerpieces and the like has been influencing me. I have been using a lot more craft materials.
Have you always been an artist or is this a career change?
I have always wanted to be a fine artist, but the pragmatist in me caused me to be an event/catering coordinator. It is still creative. I get to design how parties look, make invitations, and occasionally centerpieces, so I still get to mindlessly craft. It is hard to find the time to devote to my art work since I work a 9-5 job. I sleep very little. I usually work all day and make artwork in the evenings. It can be pretty exhausting so it really helps if I have a show deadline to light a fire under me.
I would give anything to make my own work all day, but at this time it is not really possible for me. I hate manipulating my work into what I believe will sell. I have been illustrating a children’s book recently (to be published this July!) and while I love the process, I find it really restrictive to have to limit what I can make to the content of a linear story. I like to make sculptures that shift and change based on material and how I’m feeling at that given moment. For me it is far more fulfilling to have a job that is separate from my art, so money does not dictate my content.
Have you ever taken classes/courses?
I went to the Ringling College of Art and Design in Sarasota, Florida. I received a BFA with Honors in sculpture and business. I loved living in a small town like Sarasota. I loved living on the beach, but the artistic scene and job market was really lacking. I needed to be in a city where the possibility of a creative profession existed.
Do you have a muse or a favorite subject to portray?
I glean a lot of my artistic influence from my family. My parents are South African immigrants and I am their first American born child. I think most people experience a generational divide with their parents, especially if they are immigrants. I saw a lot of African art growing up because my parents collect it, so I’ve always had a fascination with the way artifacts can be used to mimic nature. I like to take stock "African" and American kitsch images manipulate them. My work often straddles the line of kitsch, but from what I’ve been told, it’s a “bit too weird” to be fully mistaken as such.
What do you want your art to accomplish or describe?
I do not like work that has a very specific “message” to tell you. It becomes a one liner. Why look at art if it’s not going to continue to insight new feeling every time you look at it? Otherwise why would you want to own it? That’s the reason I stopped making art that was too political. I think it can become stale and preachy; at least it was for me. I like ambiguity. That’s where the interesting content lies. I like how one person will look at my work and assume I’m an environmentalist and another will think I’m an avid hunter. They bring their own narrative to it; I want that. Some one once told me that may work is really disturbing but looks like candy. To make someone want to eat something that resembles a blood splatter is an accomplishment in my book.
Where is your favorite place to create?
I have a studio in my home. I need a separate space. I’m not one of those people that can just make anywhere. I need my tools, materials, and space. I can’t make where I sleep. I like to have clean white walls/ tables and slowly fill them with trinkets and materials.
How has your work changed over time?
My work has defiantly matured. I think it has become less contrived. I used to assign meaning to objects, now I let the viewer decide.
If somebody was standing in front of one of your works, is there anything you'd want to tell them?
I have mentioned how I don’t like to dictate my content to the viewer, but maybe I would mention my materials as I think what I use is pretty important. Using organic material as opposed to synthetic tells a very different story. I might also mention my background a bit. When I mention my family history people seem to “understand” more why I would use the imagery I do. They often think it’s strange that a girl would be attracted to the imagery I am. I want my viewer to be attracted to my materials the same way I am. When you are attracted to a particular work, there is usually an unspeakable reason. I want my viewer to have that initial interest and after that initial draw, discuss my personal history. I think people like to feel connected to a work, but they also like to feel connected to the artist. What their story was that caused them to create the work.
I love to work with ceramics. I love how the material is so temperamental; how the colors, texture, even shape changes in the kiln. I am usually controlling and planned with my work; the kiln offers me a level of freedom that I would not have other wise. It leaves room for chance; which is where the most interesting work usually comes from. It’s my medium of choice. I have not had access to kiln for a while so I have been experimenting with different things. Expanding foam, plastics, craft materials like glitter and rhinestones. I like to collect things and slowly pull them together into sculptures. I am working currently as a catering coordinator, so the garish aesthetic of centerpieces and the like has been influencing me. I have been using a lot more craft materials.
Have you always been an artist or is this a career change?
I have always wanted to be a fine artist, but the pragmatist in me caused me to be an event/catering coordinator. It is still creative. I get to design how parties look, make invitations, and occasionally centerpieces, so I still get to mindlessly craft. It is hard to find the time to devote to my art work since I work a 9-5 job. I sleep very little. I usually work all day and make artwork in the evenings. It can be pretty exhausting so it really helps if I have a show deadline to light a fire under me.
I would give anything to make my own work all day, but at this time it is not really possible for me. I hate manipulating my work into what I believe will sell. I have been illustrating a children’s book recently (to be published this July!) and while I love the process, I find it really restrictive to have to limit what I can make to the content of a linear story. I like to make sculptures that shift and change based on material and how I’m feeling at that given moment. For me it is far more fulfilling to have a job that is separate from my art, so money does not dictate my content.
Have you ever taken classes/courses?
I went to the Ringling College of Art and Design in Sarasota, Florida. I received a BFA with Honors in sculpture and business. I loved living in a small town like Sarasota. I loved living on the beach, but the artistic scene and job market was really lacking. I needed to be in a city where the possibility of a creative profession existed.
Do you have a muse or a favorite subject to portray?
I glean a lot of my artistic influence from my family. My parents are South African immigrants and I am their first American born child. I think most people experience a generational divide with their parents, especially if they are immigrants. I saw a lot of African art growing up because my parents collect it, so I’ve always had a fascination with the way artifacts can be used to mimic nature. I like to take stock "African" and American kitsch images manipulate them. My work often straddles the line of kitsch, but from what I’ve been told, it’s a “bit too weird” to be fully mistaken as such.
What do you want your art to accomplish or describe?
I do not like work that has a very specific “message” to tell you. It becomes a one liner. Why look at art if it’s not going to continue to insight new feeling every time you look at it? Otherwise why would you want to own it? That’s the reason I stopped making art that was too political. I think it can become stale and preachy; at least it was for me. I like ambiguity. That’s where the interesting content lies. I like how one person will look at my work and assume I’m an environmentalist and another will think I’m an avid hunter. They bring their own narrative to it; I want that. Some one once told me that may work is really disturbing but looks like candy. To make someone want to eat something that resembles a blood splatter is an accomplishment in my book.
Where is your favorite place to create?
I have a studio in my home. I need a separate space. I’m not one of those people that can just make anywhere. I need my tools, materials, and space. I can’t make where I sleep. I like to have clean white walls/ tables and slowly fill them with trinkets and materials.
How has your work changed over time?
My work has defiantly matured. I think it has become less contrived. I used to assign meaning to objects, now I let the viewer decide.
If somebody was standing in front of one of your works, is there anything you'd want to tell them?
I have mentioned how I don’t like to dictate my content to the viewer, but maybe I would mention my materials as I think what I use is pretty important. Using organic material as opposed to synthetic tells a very different story. I might also mention my background a bit. When I mention my family history people seem to “understand” more why I would use the imagery I do. They often think it’s strange that a girl would be attracted to the imagery I am. I want my viewer to be attracted to my materials the same way I am. When you are attracted to a particular work, there is usually an unspeakable reason. I want my viewer to have that initial interest and after that initial draw, discuss my personal history. I think people like to feel connected to a work, but they also like to feel connected to the artist. What their story was that caused them to create the work.
Monday, June 21, 2010
Interview with artist Aarica Blackett
In our continued series of artist interviews, we speak with a new artist to the Jack Art Gallery portfolio ... Aarica Blackett of Atlanta, Georgia.
What was your first experience with art?
I have been doing art and expressing myself creatively ever since I was a little girl. The earliest memory that I have of expressing myself creatively is by experimenting with the Lite Brite toy. I used to love making images and choosing the colors that I wanted to put in the pictures. Once I was bored with the designs that came with the Lite Brite, I designed my own images to create. I would draw my design on a black sheet of construction paper, then force holes in the paper with the miniature light bulbs.
Have you always been an artist or is this a career change?
I have always been an artist, but I have never thought of it as a possible career. With everything I do, regardless of the task, I always try to challenge myself and think of a creative, outside-of-the-box alternative.
Have you ever taken classes/courses?
Not yet, but I am going to SCAD-Atlanta this fall to pursue my masters degree in Art Administration. While I am there, I am definitely looking forward to taking some art classes to increase my knowledge, learn new things, and hone my craft.
Do you have a muse or a favorite subject to portray?
I love to paint women. It is natural for me. Every picture I paint is a snapshot of my life, something that I was experiencing at the time. I paint to capture that feeling, but I paint without faces because I know there are other women who have gone through that same experience, or who are currently going through a similar situation. I paint to feel, I paint to capture, and I paint to remember.
What do you want your art to accomplish or describe?
I want my art to inspire. I want my art to strike a nerve with the viewer and trigger an emotion. My accomplishment is just being able to convey my emotions onto canvas and depict it the way that I envision it.
Art programs are being cut all over the nation in schools - what's your opinion on this?
I feel this is a grave mistake on our community and on our nation. Those who have graduated already have grown up with the arts around them, and now we are taking this opportunity away from our kids, our future. Many children are inspired by the arts while in school because it is their only opportunity to express themselves outside of the confinements of the box. Art, sports, and music are where kids are allowed to try new things, discover something inside of them, and blossom. Many kids are not able to exercise their creative self unless they have these art programs in the school. And many parents are not able to afford lessons for their children. Honestly, this country has their priorities in the wrong areas. We need to get back to investing in our youth, which is the future of this country. When we don't involve them in the decision making, allow them to try new things, then we are not giving them the freedom to pursue their true happiness.
Which comes first - the inspiration or the medium?
The inspiration. Once you have the inspiration, that will drive you to the right medium.
How has your work changed over time?
At the beginning I was doing many things on the surface. You could look at the painting and the story is pretty much written for you. My later paintings have more depth, regarding the story behind the painting. I enjoy finding new and creative ways to tell the emotion behind the painting. And I love the element of surprise.
If somebody was standing in front of one of your works, is there anything you'd want to tell them?
Tell them? No, I would want to ask them "How does this painting make you feel, and why?" Too many people try to tell people things, not enough people ask questions.
Do you have a favorite piece you've done?
My favorite piece varies, but right now it is Formalities. This is the piece with the young lady sitting under a chandelier. It is just a beautiful piece that speaks to me in so many ways. There is another piece that I am working on and once I complete this, this might be my new favorite.
Can you draw a perfect circle freehand?
No, but why would I want to? That's no fun!
What was your first experience with art?
I have been doing art and expressing myself creatively ever since I was a little girl. The earliest memory that I have of expressing myself creatively is by experimenting with the Lite Brite toy. I used to love making images and choosing the colors that I wanted to put in the pictures. Once I was bored with the designs that came with the Lite Brite, I designed my own images to create. I would draw my design on a black sheet of construction paper, then force holes in the paper with the miniature light bulbs.
Have you always been an artist or is this a career change?
I have always been an artist, but I have never thought of it as a possible career. With everything I do, regardless of the task, I always try to challenge myself and think of a creative, outside-of-the-box alternative.
Have you ever taken classes/courses?
Not yet, but I am going to SCAD-Atlanta this fall to pursue my masters degree in Art Administration. While I am there, I am definitely looking forward to taking some art classes to increase my knowledge, learn new things, and hone my craft.
Do you have a muse or a favorite subject to portray?
I love to paint women. It is natural for me. Every picture I paint is a snapshot of my life, something that I was experiencing at the time. I paint to capture that feeling, but I paint without faces because I know there are other women who have gone through that same experience, or who are currently going through a similar situation. I paint to feel, I paint to capture, and I paint to remember.
What do you want your art to accomplish or describe?
I want my art to inspire. I want my art to strike a nerve with the viewer and trigger an emotion. My accomplishment is just being able to convey my emotions onto canvas and depict it the way that I envision it.
Art programs are being cut all over the nation in schools - what's your opinion on this?
I feel this is a grave mistake on our community and on our nation. Those who have graduated already have grown up with the arts around them, and now we are taking this opportunity away from our kids, our future. Many children are inspired by the arts while in school because it is their only opportunity to express themselves outside of the confinements of the box. Art, sports, and music are where kids are allowed to try new things, discover something inside of them, and blossom. Many kids are not able to exercise their creative self unless they have these art programs in the school. And many parents are not able to afford lessons for their children. Honestly, this country has their priorities in the wrong areas. We need to get back to investing in our youth, which is the future of this country. When we don't involve them in the decision making, allow them to try new things, then we are not giving them the freedom to pursue their true happiness.
Which comes first - the inspiration or the medium?
The inspiration. Once you have the inspiration, that will drive you to the right medium.
How has your work changed over time?
At the beginning I was doing many things on the surface. You could look at the painting and the story is pretty much written for you. My later paintings have more depth, regarding the story behind the painting. I enjoy finding new and creative ways to tell the emotion behind the painting. And I love the element of surprise.
If somebody was standing in front of one of your works, is there anything you'd want to tell them?
Tell them? No, I would want to ask them "How does this painting make you feel, and why?" Too many people try to tell people things, not enough people ask questions.
Do you have a favorite piece you've done?
My favorite piece varies, but right now it is Formalities. This is the piece with the young lady sitting under a chandelier. It is just a beautiful piece that speaks to me in so many ways. There is another piece that I am working on and once I complete this, this might be my new favorite.
Can you draw a perfect circle freehand?
No, but why would I want to? That's no fun!
Thursday, May 20, 2010
Friday, April 30, 2010
Jack Gives Back!
We received a great review from the Atlanta Art Critic this week. Click the link to read it.
Saturday, April 24, 2010
Sunday, April 4, 2010
Sunday, March 7, 2010
MIRROR, MIRROR - New show opening March 10th
Join us for a new exhibit opening March 10th. The artist reception is from 6:00 PM - 8:30 PM on March 10th at Jack Art Gallery. This show features works by 12 local artists, including Megan Brigham, Rae Broyles, Ashleigh Fedo, Tony Garnett, Isabelle Gautier, Larissa Greer, Thomas Keller, Lara Oshon, Carlos Solis, Walton Woodall, Elizabeth Workmaster and Anna Yan. Proceeds will benefit Georgia Coalition Against Domestic Violence.
WHERE: Jack Art Gallery, 659 Auburn Avenue, Suite 503
WHEN: March 10, 2010, 6:00 - 8:30 PM
DETAILS: Find them on our Facebook Events Page.
Thursday, March 4, 2010
Interview with Penny Treese
Continuing our series of interviews with artists who have or are showing at Jack Art Gallery. Chelsea Rhinehart sat down with Penny Treese. To see a selection of Penny's work visit Jack Art Gallery.
When did you first realize you are an artist?
I started art lessons at age 8 and couldn't image myself as anything else.
Why are you an artist and when did you first become one?
At age 8, my parents allowed me to take painting, drawing, pottery, and any art class they could find. I continued studying and exploring art through high school and college, earning a Bachelors of Science in Graphic Design (honors program and graduated Cum Laude) from Illinois State University. I’ve continued to take art lessons, classes, workshops and learn from any artist that takes me under their wing. I felt that I was born an artist as early as kindergarten.
What is it that inspires you to create your art?
My artistic talent is a gift from God. I can’t NOT paint, or create what’s inside my heart and spirit. I am also inspired to create art by the desire to express my inner soul through intuitive painting.
What famous artists have influenced you, and how?
I am inspired by aspects of all the masters. However, in 2005, on a vacation to Seaside, FL, I stumbled across an encaustic artist – unknown –who immediately inspired me to find an encaustic class in Atlanta. I found Jason McGrady and have been taking his amazing workshops and classes ever since. I’m addicted to the luscious, translucent layers, ability to manipulate textures and colors – and how easily my “accidents” become “meant-to-be” essential elements.
What other interests do you have outside of creating art?
I love walking through the Decatur cemetery and feeding the geese with my children, husband and daschsun next to its picturesque pond. It’s like hanging out inside Van Gogh’s “Water Lilies.” I adore “hut and jump” horseback riding and crave getting back in the saddle. Vacationing with my husband or best girl friends is top of the list!
What are you currently working on at this moment?
Through encaustic painting, I’m continually discovering what’s earning to escape my heart and thrust itself upon my wooden frame…leaving me with a smile and glow as big as the sun.
What advice would you give to an artist just starting out?
Just starting out with their first art lesson or first set of paints – “Do not have any expectations of yourself other than enjoying the present moment and the process rather than an outcome.” I need to remind myself of that with every brushstroke. And paint in the NOW! You can always paint over it or burn it – liberating.
What has been your most exciting moment as an artist?
On a Sunday, I made the decision to step away from my job and take the plunge into painting for 6 months (with the incredible faith and support of my husband, in the midst of the recession.) Two days later, I was offered studio space, two miles from my home, with a 6-month lease. Fate. Faith. No Fear. Only graciousness for dreams realized.
Have you had any formal training in the fine arts?
My experience at Illinois State, (earning a Bachelor’s of Science in Graphic Design) was more like earning a BFA. I took 80%-90% fine arts classes, from art history, woodworking and jewelry to the abstract painting classes that helped shaped the techniques I use today. My past 17 years as a graphic designer, art director and creative director may have deepened my wrinkles, however must have been part of the plan. Page layout and logo & type design provided me with an inherent sense of balance that can be felt while experiencing my artwork.
How would your life change if you were no longer allowed to create art?
I can’t imagine it. Very scary thought! I would create art even if I were blind or maimed or strapped into a straight jacket! (Which you might as well put me within, if I was no longer allowed to create art.)
What are your favorite snacks when you are creating?
Honestly, I forget to eat or drink while I’m painting. I’m “in” the piece that I’m creating. I set an alarm to remind me to eat! I would enjoy red wine, dark chocolate, and of course bags and bags of Cheetos.
What was your first job?
Henderson Advertising in Buckhead (Atlanta), as a graphic designer. I couldn't believe I could make more than $2.35/hr – like I did as a waitress!
Many of your paintings seem to be inspired by nature. Are your paintings of actual locations or are they painted from your imagination?
They are painted from my imagination and probably pass memory of the ocean, a flower, a memory from a favorite childhood book, or colors and imagery that I’ve experienced in a dream. I always dream in color and have learned to mediate into a place of “lucid dreaming” while painting. This helps to keep the paintings alive with the memory of nature’s colors, patterns, positive & negative spaces, and movement of water and wind.
You mention that your focus while creating art is on the joy of the process. How does this in the end affect the finished product?
Intuitive painting or “Painting my guts out” (as my past art instructor titled her classes) lead me to this place of creating from within my soul and spirit. I revel in the process of brushing on layer after layer of clear wax. Fusing each layer with a fiery blast of the blowtorch. Then feeling which color should come next. Which direction to turn the frame - should I paint upside down or tilted sideways? I let the torch, pigment and wax do what it may, and revealing whatever is inside me, which needs to be released, at that exact moment.
I don't care if it looks funky – I’ll just paint over it! Yet each element is intentional yet intuitive, and will emerge sooner of later. For example, the accidental red splatter I scrapped off must eventually be added back in, or the painting will feel incomplete – lacking in authenticity.
When did you first realize you are an artist?
I started art lessons at age 8 and couldn't image myself as anything else.
Why are you an artist and when did you first become one?
At age 8, my parents allowed me to take painting, drawing, pottery, and any art class they could find. I continued studying and exploring art through high school and college, earning a Bachelors of Science in Graphic Design (honors program and graduated Cum Laude) from Illinois State University. I’ve continued to take art lessons, classes, workshops and learn from any artist that takes me under their wing. I felt that I was born an artist as early as kindergarten.
What is it that inspires you to create your art?
My artistic talent is a gift from God. I can’t NOT paint, or create what’s inside my heart and spirit. I am also inspired to create art by the desire to express my inner soul through intuitive painting.
What famous artists have influenced you, and how?
I am inspired by aspects of all the masters. However, in 2005, on a vacation to Seaside, FL, I stumbled across an encaustic artist – unknown –who immediately inspired me to find an encaustic class in Atlanta. I found Jason McGrady and have been taking his amazing workshops and classes ever since. I’m addicted to the luscious, translucent layers, ability to manipulate textures and colors – and how easily my “accidents” become “meant-to-be” essential elements.
What other interests do you have outside of creating art?
I love walking through the Decatur cemetery and feeding the geese with my children, husband and daschsun next to its picturesque pond. It’s like hanging out inside Van Gogh’s “Water Lilies.” I adore “hut and jump” horseback riding and crave getting back in the saddle. Vacationing with my husband or best girl friends is top of the list!
What are you currently working on at this moment?
Through encaustic painting, I’m continually discovering what’s earning to escape my heart and thrust itself upon my wooden frame…leaving me with a smile and glow as big as the sun.
What advice would you give to an artist just starting out?
Just starting out with their first art lesson or first set of paints – “Do not have any expectations of yourself other than enjoying the present moment and the process rather than an outcome.” I need to remind myself of that with every brushstroke. And paint in the NOW! You can always paint over it or burn it – liberating.
What has been your most exciting moment as an artist?
On a Sunday, I made the decision to step away from my job and take the plunge into painting for 6 months (with the incredible faith and support of my husband, in the midst of the recession.) Two days later, I was offered studio space, two miles from my home, with a 6-month lease. Fate. Faith. No Fear. Only graciousness for dreams realized.
Have you had any formal training in the fine arts?
My experience at Illinois State, (earning a Bachelor’s of Science in Graphic Design) was more like earning a BFA. I took 80%-90% fine arts classes, from art history, woodworking and jewelry to the abstract painting classes that helped shaped the techniques I use today. My past 17 years as a graphic designer, art director and creative director may have deepened my wrinkles, however must have been part of the plan. Page layout and logo & type design provided me with an inherent sense of balance that can be felt while experiencing my artwork.
How would your life change if you were no longer allowed to create art?
I can’t imagine it. Very scary thought! I would create art even if I were blind or maimed or strapped into a straight jacket! (Which you might as well put me within, if I was no longer allowed to create art.)
What are your favorite snacks when you are creating?
Honestly, I forget to eat or drink while I’m painting. I’m “in” the piece that I’m creating. I set an alarm to remind me to eat! I would enjoy red wine, dark chocolate, and of course bags and bags of Cheetos.
What was your first job?
Henderson Advertising in Buckhead (Atlanta), as a graphic designer. I couldn't believe I could make more than $2.35/hr – like I did as a waitress!
Many of your paintings seem to be inspired by nature. Are your paintings of actual locations or are they painted from your imagination?
They are painted from my imagination and probably pass memory of the ocean, a flower, a memory from a favorite childhood book, or colors and imagery that I’ve experienced in a dream. I always dream in color and have learned to mediate into a place of “lucid dreaming” while painting. This helps to keep the paintings alive with the memory of nature’s colors, patterns, positive & negative spaces, and movement of water and wind.
You mention that your focus while creating art is on the joy of the process. How does this in the end affect the finished product?
Intuitive painting or “Painting my guts out” (as my past art instructor titled her classes) lead me to this place of creating from within my soul and spirit. I revel in the process of brushing on layer after layer of clear wax. Fusing each layer with a fiery blast of the blowtorch. Then feeling which color should come next. Which direction to turn the frame - should I paint upside down or tilted sideways? I let the torch, pigment and wax do what it may, and revealing whatever is inside me, which needs to be released, at that exact moment.
I don't care if it looks funky – I’ll just paint over it! Yet each element is intentional yet intuitive, and will emerge sooner of later. For example, the accidental red splatter I scrapped off must eventually be added back in, or the painting will feel incomplete – lacking in authenticity.
Sunday, February 28, 2010
Monday, January 25, 2010
PRESS RELEASE - NEW EXHIBIT 02-10-2010
JACK ART GALLERY PRESENTS THE “ABSTRACTS OF LOVE” EXHIBIT TO BENEFIT GEORGIA EQUALITY, OPENING FEBRUARY 10, 2010 AT 6 P.M.
ATLANTA – January 20, 2010 – Jack Art Gallery, a family-owned gallery in the Old Fourth Ward focused on promoting local and national emerging artists, presents a show celebrating the abstracts of love through a new exhibit in February.
The gallery owners are using the show to celebrate the life of their good friend and longtime LGBT human rights activist, Allen Thornell, who passed away last August. To make the show possible, ten local and national artists, Veva Dunckel, Jaynie Crimmins, Isabelle Gautier, Aaron Guthrie, Phillip Hua, Christina Loraine, Zoe Martell, John Paul, Carlos Solis and Angie Wehunt are presenting works of love themes and/or colors.
The exhibit will include a silent auction of some works that will, in addition to other proceeds, benefit Georgia Equality.
“We are excited to produce a show of such vibrant color and energy fused with the theme of love,” says co-owner, John McNamara. “Allen would have been proud of this show, and thrilled that the proceeds would benefit a cause so near and dear to his heart.”
The event on February 10th will include Georgia Equality staff on hand to talk about their cause and take direct donations. The evening will be about love, color and equality and promises to be one art event not to miss.
ATLANTA – January 20, 2010 – Jack Art Gallery, a family-owned gallery in the Old Fourth Ward focused on promoting local and national emerging artists, presents a show celebrating the abstracts of love through a new exhibit in February.
The gallery owners are using the show to celebrate the life of their good friend and longtime LGBT human rights activist, Allen Thornell, who passed away last August. To make the show possible, ten local and national artists, Veva Dunckel, Jaynie Crimmins, Isabelle Gautier, Aaron Guthrie, Phillip Hua, Christina Loraine, Zoe Martell, John Paul, Carlos Solis and Angie Wehunt are presenting works of love themes and/or colors.
The exhibit will include a silent auction of some works that will, in addition to other proceeds, benefit Georgia Equality.
“We are excited to produce a show of such vibrant color and energy fused with the theme of love,” says co-owner, John McNamara. “Allen would have been proud of this show, and thrilled that the proceeds would benefit a cause so near and dear to his heart.”
The event on February 10th will include Georgia Equality staff on hand to talk about their cause and take direct donations. The evening will be about love, color and equality and promises to be one art event not to miss.
Tuesday, January 19, 2010
ARTIST INTERVIEW -- Rose Barron
Continuing our series of interviews with artists who have or are showing at Jack Art Gallery, Chelsea Rhinehart sat down with Rose Barron. To see a selection of Rose's work visit Jack Art Gallery.
When did you first realize you are an artist?
As a child but then again about the age of 30 when I tried other types of work and felt empty. I did try other forms of art though including acting.
Why are you an artist and when did you first become one?
Because I have to be. When I was a small child and had to draw to express everything. My first drawing I remember was done when I was angry and sad that I had crashed out on my swing set.
What is it that inspires you to create your art?
Different things at different times. I am inspired by beauty as well as decay
What famous artists have influenced you, and how?
Dali for his imagination, many Renaissance artists for their richness of colors and sensuality in their paintings, and many conceptual contemporary artists such as Adrain Piper.
What do you do for fun (besides painting and photography)?
I exercise (I bike, I do yoga, I walk and play with my dogs), get together with friends and family. Watch films.
What are you currently working on at this moment?
A film and portrait series about Cabbagetown and its people, a book of my Garden of Delights images, a short screen play.
What advice would you give to an artist just starting out?
Work at your craft in some way everyday. Network.
How did you pick your creative medium?
Painting to be is a Zen form-it relaxes me. Photography I do because I love making images and working with conceptual themes. Film because I’m making moving imagery.
Could you talk about your latest series of paintings and what you are trying to achieve with them?
My last series of paintings are my landscapes. I was trying to achieve a claming Zen like peacefulness while representing locations that had helped me to feel this way without looking pictorial. I also wanted to work in layers as much of my art is.
What are your favorite snacks when you are creating?
Wine and cheese-fancy huh?
What was your first job?
I tried detassling corn in Indiana when I was 16-I lasted one day. My fist job out of college was at a Typographic studio. As an artist.
You mention many of the colors and patterns of your different works are similar. Do your photographs usually inspire your paintings or vice versa?
I don’t think it is the work that inspires the other so much as the textures, the colors and the sensuality of the two. This is coming out through my filming as well.
When did you first realize you are an artist?
As a child but then again about the age of 30 when I tried other types of work and felt empty. I did try other forms of art though including acting.
Why are you an artist and when did you first become one?
Because I have to be. When I was a small child and had to draw to express everything. My first drawing I remember was done when I was angry and sad that I had crashed out on my swing set.
What is it that inspires you to create your art?
Different things at different times. I am inspired by beauty as well as decay
What famous artists have influenced you, and how?
Dali for his imagination, many Renaissance artists for their richness of colors and sensuality in their paintings, and many conceptual contemporary artists such as Adrain Piper.
What do you do for fun (besides painting and photography)?
I exercise (I bike, I do yoga, I walk and play with my dogs), get together with friends and family. Watch films.
What are you currently working on at this moment?
A film and portrait series about Cabbagetown and its people, a book of my Garden of Delights images, a short screen play.
What advice would you give to an artist just starting out?
Work at your craft in some way everyday. Network.
How did you pick your creative medium?
Painting to be is a Zen form-it relaxes me. Photography I do because I love making images and working with conceptual themes. Film because I’m making moving imagery.
Could you talk about your latest series of paintings and what you are trying to achieve with them?
My last series of paintings are my landscapes. I was trying to achieve a claming Zen like peacefulness while representing locations that had helped me to feel this way without looking pictorial. I also wanted to work in layers as much of my art is.
What are your favorite snacks when you are creating?
Wine and cheese-fancy huh?
What was your first job?
I tried detassling corn in Indiana when I was 16-I lasted one day. My fist job out of college was at a Typographic studio. As an artist.
You mention many of the colors and patterns of your different works are similar. Do your photographs usually inspire your paintings or vice versa?
I don’t think it is the work that inspires the other so much as the textures, the colors and the sensuality of the two. This is coming out through my filming as well.
Saturday, January 16, 2010
SAVE THE DATE... 2-10-2010
Jack Art Gallery will launch it's February show Abstracts of Love with a huge artist reception on 2-10-2010. This event will benefit Georgia Equality and is dedicated in the memory of Alan Thornell. This exhibit will feature works celebrating love, diversity, equality and the romance of color. Artists for this event include Jaynie Crimmins, Veve Dnuckel, Isabelle Gautier, Aaron Guthrie, Christina Loraine, Zoe Martell, John Paul, Carlos Solis, and Angie Wehunt. In addition to a plethora of exciting, vibrant, new art for the gallery, the evening will include food, wine and a silent auction to benefit Georgia Equality. Come one, come all to the art event of the month! Visit us online at jackartgallery.com.
Saturday, January 9, 2010
ARTIST INTERVIEW -- Rae Broyles
The first in a series of interviews with artists who have or are showing at Jack Art Gallery. Chelsea Rhinehart sat down with Rae Broyles. To see a selection of Rae's work visit Jack Art Gallery.
When did you first realize you are an artist?
I think everyone is an artist. Some of us just hold on to our creativity throughout life and some people conform away from the freedom to create. For many years I was using my creative talents in the commercial world as a designer and creative director. But with those professions you must always follow someone elses guidelines. It is only in the last 7 years that I have been able to star exploring my own interests.
What is it that inspires you to create your art?
Absolutely it is the mediums. I am so drawn to all types of oils, paints, pastels, surfaces and of course wax for my encaustic paintings.
What famous artists have influenced you, and how?
Right now I am loving Gustav Klimt. His combinations of realism and design are very intriguing to me. I also like Frida Kahlo but for her unabashed will more than her final product. As far as living artists, well, there are too many to count. I always look for artists who have stepped out of the traditional subject matter OR who have taken ordinary things and added their own style.
What other interests do you have outside of creating art?
I love music and making jewelry. I would read a lot if I wasn’t a painter. But it takes too much time. I wish I had more time too though.
What are you currently working on at this moment?
A new series of encaustics using pencil and multiple layers of wax to really utilize the transparent element of the medium.
What advice would you give to an artist just starting out?
Paint or draw every day. Network and learn about the business of art.
What has been your most exciting moment as an artist?
Probably being chosen for the National Encaustics Show this year. There is a lot of talent out there and I was very proud of that one.
Have you had any formal training in the fine arts?
Yes. I went to Rhode Island School of Design and studied in France as well. I always wished I was older while in college because I knew that the professors had so much to offer and I wasn’t quite ready to absorb all of it at such a young age.
How would your life change if you were no longer allowed to create art?
I would find other ways to be creative. I love writing as well.
Could you talk about your latest series of paintings and what you are trying to achieve with them?
The new pieces I am working on are kind of an experimental series. I am trying to pull together a lot of techniques I have learned but really want to create something unique. Which is always the challenge.
What are your favorite snacks when you are creating?
I don’t eat. I totally loose track of time and may not eat for 7 hours.
Being born to a long line of painters, did you first realize yourself as an artist at a young age or was it more of a gradual process for you?
I think the biggest influence in my childhood was my dad. I always looked up to him because he was such a fabulous illustrator in the 50’s and 60’s. He was a student of Norman Rockwell and art was always a part of his family too. His father was a painter and opera singer and his father was a painter too, and so on. It seemed that we were all encouraged to pursue any creative challenge we wanted to go after.
How did you get into creating Encaustic paintings?
Some things just happen the way they are supposed to.
When did you first realize you are an artist?
I think everyone is an artist. Some of us just hold on to our creativity throughout life and some people conform away from the freedom to create. For many years I was using my creative talents in the commercial world as a designer and creative director. But with those professions you must always follow someone elses guidelines. It is only in the last 7 years that I have been able to star exploring my own interests.
What is it that inspires you to create your art?
Absolutely it is the mediums. I am so drawn to all types of oils, paints, pastels, surfaces and of course wax for my encaustic paintings.
What famous artists have influenced you, and how?
Right now I am loving Gustav Klimt. His combinations of realism and design are very intriguing to me. I also like Frida Kahlo but for her unabashed will more than her final product. As far as living artists, well, there are too many to count. I always look for artists who have stepped out of the traditional subject matter OR who have taken ordinary things and added their own style.
What other interests do you have outside of creating art?
I love music and making jewelry. I would read a lot if I wasn’t a painter. But it takes too much time. I wish I had more time too though.
What are you currently working on at this moment?
A new series of encaustics using pencil and multiple layers of wax to really utilize the transparent element of the medium.
What advice would you give to an artist just starting out?
Paint or draw every day. Network and learn about the business of art.
What has been your most exciting moment as an artist?
Probably being chosen for the National Encaustics Show this year. There is a lot of talent out there and I was very proud of that one.
Have you had any formal training in the fine arts?
Yes. I went to Rhode Island School of Design and studied in France as well. I always wished I was older while in college because I knew that the professors had so much to offer and I wasn’t quite ready to absorb all of it at such a young age.
How would your life change if you were no longer allowed to create art?
I would find other ways to be creative. I love writing as well.
Could you talk about your latest series of paintings and what you are trying to achieve with them?
The new pieces I am working on are kind of an experimental series. I am trying to pull together a lot of techniques I have learned but really want to create something unique. Which is always the challenge.
What are your favorite snacks when you are creating?
I don’t eat. I totally loose track of time and may not eat for 7 hours.
Being born to a long line of painters, did you first realize yourself as an artist at a young age or was it more of a gradual process for you?
I think the biggest influence in my childhood was my dad. I always looked up to him because he was such a fabulous illustrator in the 50’s and 60’s. He was a student of Norman Rockwell and art was always a part of his family too. His father was a painter and opera singer and his father was a painter too, and so on. It seemed that we were all encouraged to pursue any creative challenge we wanted to go after.
How did you get into creating Encaustic paintings?
Some things just happen the way they are supposed to.
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